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For 87 years, San Francisco Ballet has received and benefited from the many contributions of people of color. Like many non-profits, we are taking a hard look at our organization, where we have fallen short, and what we must do to make deep, sustaining change.
Read More. The guilty verdict of Derek Chauvin reminds all of us of the importance of equity in justice, regardless of what makes us different. Read the full message from Sunnie Evers and Robert G. San Francisco Ballet joins others within the arts community in sharing the following resources and inviting you to become an advocate for stopping hate against the Asian American and Pacific Islander AAPI community wherever and whenever it occurs in our community.
View the Season. View our Backstage stories. But the most influential version is the one by the great French choreographer Marius Petipa. He staged Don Quixote in Moscow in , making changes and adding more music for a St. Petersburg production in Don Quixote first took the stage at San Francisco Ballet in , choreographed by Tomasson and Yuri Possokhov, then a principal dancer and now choreographer in residence.
To help tell the story, they made some choreographic changes; for example, giving the lovers, Kitri and Basilio, an intimate pas de deux. It relied on stock character types to enact variations on recurring themes, such as a father who tries to marry off his daughter to a moneyed, older gent. In planning to stage Don Quixote again in , Tomasson decided it was time to give the Company its own production. Previously the sets and costumes were rented from Royal Danish Ballet.
The result is a smooth transition between scenes.
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